For other apps like Premiere Pro, you simply create a folder and copy the LUTS. If you are using Resolve or SpeedGrade, there is an installer. I figured for $49 it was worth giving it a shot so I downloaded Osiris. I recently saw Osiris mentioned by Denver Riddle (Color Grading Central), who offers his own free (and paid) color grading tutorials and presets. But for me, LUTs are a useful tool that can quickly help you create a look on tight deadlines and small budgets. I’m sure some editors/colorists are rolling their eyes and thinking “great, another quick fix”, and I understand that. If you are not sure about using REC 709 or LOG, here’s a handy chart to help you out ( click image for larger view): The suggested workflow is to apply the LUTs in post production between your primary and secondary corrections (primary corrections > LUT > secondary corrections). These LUTs are available in REC 709 and LOG versions. There is a quick start video on using them in Resolve or SpeedGrade here.
OSIRIS LUT ADOBE ELEMENTS FULL
Like many LUTs, the Osiris pack will work in Premiere Pro, After Effects, Resolve, SpeedGrade, and FCP 7 (see the full list under System Requirements here). What does a LUT do? To quote VisionColor “By remapping existing scene colors based on digitally and photochemically treated print film stocks by Fuji and Kodak, the OSIRIS LUTs offer a wide range of well known and established cinematic film looks that can be time consuming and complicated to recreate even with advanced color grading software”. Check out some impressive applications of these LUTs here: Vision Color makes Osiris ($49), a collection of 9 Film Emulation 3DLUTs designed for digital video (footage from Alexa, RED, BMCC, DSLR’s). In this post we’ll take a look at some LUTs (look up tables) and how they can enhance the look of your video footage in post production. Use LUTS to quickly get a cinematic look in a variety of editing and grading apps.
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